I’d always written because I had stories I wanted to tell and I wanted, however stubbornly or egotistically, to tell them my way. – Julia MacDonnell
18 days and counting until this years Push to Publish conference! It isn’t too late to register, just click the link provided, to be able to participate in a great experience where you can gain valuable information for a career in the literary world!
Among the conference attendees is published author Julia MacDonnell who will be a nonfiction Speed Date author as well as a panelist for Marketing for Published Authors Panel. MacDonnell’s latest book, Mimi Mallory, At Last! has been released in paperback format March of this year. For more information about Julia and her books, click here.
Also, check out this fun and interesting article Julie has written about her journey as a writer to get her works published. The article can be found on The Artist Unleashed, a blog hosted by Jessica Bell. Check it out now – No Time To Be A Good Girl.
I get rejection letters all the time. Most of them
are the generic “thanks, but no thanks.” Before I went to grad school for my
MFA, I would have been crushed by a letter like that. I would take the impersonal
rejection letter as a complete failure on my part as a writer. I would assume
that cold rejection letter meant I should stop writing all together and find a
different creative outlet, like maybe needlepoint.
However, now I see that rejection letter for what it
really means. At this time, what I sent was not right for the current issue of
the magazine. It does not mean I should hang up my pen and grab some thread. I
shouldn’t toss my computer in the garbage or sell it on craigslist for
twenty-five bucks. The rejection letter means this piece isn’t what the
literary magazine is looking for right now.
I won’t resubmit the same piece later to the
magazine. It isn’t because I think the tide will change and in a few months they
will see how perfectly it fits. It’s because I’m busy sending that same story
out to other places. I believe in my story enough to know it deserves to be
published. It’s my job and duty to my work to find the right place for it.
I’ve also found when I have multiple projects
happening, the rejection letters become easier to handle.
Writing is an art and a business. The art comes from
obviously creating the piece. The business comes when it’s time to get that
piece out into the public. I think many writers take the business part too
personally. Remember, it’s not personal; it’s business. So why not take that
approach to submissions? Here are my suggestions:
in your piece. If you don’t think it’s ready, don’t put it out there.
about twenty magazines. Look at their websites. Look at what they publish.
Evaluate your piece. Would it fit there? Yes?
their submission guidelines. Then follow them.
out one story to five places.
on something else.
you get your first rejection letter, read it. If it isn’t helpful, delete it
and send out the piece to the sixth place on your list. Each time it gets
rejected, send it back out to a new place and continue working through your
working on something new. This will help focus your efforts on the creative
output and not bog you down with worry about why your piece keeps getting
in mind it’s a lot of work to get a piece published. But since you believe in
your piece, you will continue looking for its new home.
- When it
gets accepted, contact the other magazines and ask to withdraw your story.
this process with that new piece you were working on while you were waiting for
the first piece to find a home.
The bottom line: do not take the rejection
personally because it isn’t meant to be that way. Most magazines are looking to
promote writers, not rip them apart. The rejection doesn’t mean it’s a bad
piece and you shouldn’t stop writing because of a rejection. Brush yourself off
and send the piece back out.
Here’s one from writer Albert Berg for everybody struggling with writer’s block in one form or another…
via Albert Berg's Unsanity Files
Here’s a great post on the benefits of using old-fashioned paper and glue books as references:
via Tim Kane Books