The subtitle of Don’t Smell the Floss says it all: “amazing short stories by matty byloos.” Though it’s tempting to read this as a bit of snarky self-promotion along the lines of Kathy Griffin’s Official Book Club Selection, Byloos has the writing chops to pull it off legitimately. The fourteen stories collected in this volume really are amazing in every sense of the word. For one thing, they take the reader behind the scenes of lives we might not normally think about (or even want to think about) but which are no less real despite their clandestine nature. In one story, for example, he gives us a largely dysfunctional couple whose only meaningful communication occurs when they discuss the comings and goings of a fictitious serial killer. In another, he takes the reader behind the scenes of a pornography shoot to reveal the soft side of the business — which isn’t to say that he romanticizes his subject at all in this story. On the contrary, he explores the effect of pornography on everyone involved in the business from all of its intricate angles. Yes, the participants are jaded, but their lives are so complicated and splintered, their loneliness and insecurity so palpable, that it’s impossible not to feel sympathy for them.
The (at times bizarre) subject matter, however, isn’t the only thing Don’t Smell the Floss has going for it. It turns out that Byloos is an amazing (there’s that word again!) writer–a true “craftsman” of the written word, as one of the book’s blurbs rightly puts it. Stylistically, the book reads like a cross between George Saunders and Chuck Palahniuk; it’s fast-moving, occasionally gross, but always smart and funny in a disturbing “I can’t believe I just laughed at that” kind of way. Take, for example, the opening tale of this collection, “One Day, Letter from a Ghost Leg,” in which an amputated leg writes a love letter to the body from which it’s been severed. The premise alone is wild enough to win my undying respect, but what rockets Byloos into the realm of genius in my estimation is that the leg quotes Don DeLillo’s The Body Artist as it tries to make sense of the separation that has just occurred.
Needless to say, the fact that I find all of this so compelling says as much about me as it says about the book. Along these lines, it probably isn’t a book for everybody–but what book is? What I will say about it is this: If you like compelling, inventive writing and you don’t flinch (too much) at fairly gritty yet matter of fact descriptions of subjects like pornography, amputation, and masturbation (each a form of loneliness in its own way), then you’ll find a lot to love in Don’t Smell the Floss.
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